An intimate look at the life of one of American history's most notable figures. Among other things, Franklin was a printer, philosopher, inventor, statesman, and not least, a writer. Franklin's autobiography captures the essence of his spirit. In it we can see him as a product of the eighteenth century enlightenment, a type of Yankee statesman who could use the language of Addison, Steele, Swift and Defoe. In his autobiography, Franklin asks himself, ''Who am I, how did I come to be, and why am I a human being as I am?'' and he answers with the honesty, wit, and charm that have made this possibly the most famous of all autobiographies.

Narrated/Read by Micheal Edwards.

Based on more than forty interviews with Jobs conducted over two years--as well as interviews with more than a hundred family members, friends, adversaries, competitors, and colleagues--Walter Isaacson has written a riveting story of the roller-coaster life and searingly intense personality of a creative entrepreneur whose passion for perfection and ferocious drive revolutionized six industries: personal computers, animated movies, music, phones, tablet computing, and digital publishing.



At a time when America is seeking ways to sustain its innovative edge, and when societies around the world are trying to build digital-age economies, Jobs stands as the ultimate icon of inventiveness and applied imagination. He knew that the best way to create value in the twenty-first century was to connect creativity with technology. He built a company where leaps of the imagination were combined with remarkable feats of engineering.



Although Jobs cooperated with this book, he asked for no control over what was written nor even the right to read it before it was published. He put nothing off-limits. He encouraged the people he knew to speak honestly. And Jobs speaks candidly, sometimes brutally so, about the people he worked with and competed against. His friends, foes, and colleagues provide an unvarnished view of the passions, perfectionism, obsessions, artistry, devilry, and compulsion for control that shaped his approach to business and the innovative products that resulted.



Driven by demons, Jobs could drive those around him to fury and despair. But his personality and products were interrelated, just as Apple's hardware and software tended to be, as if part of an integrated system. His tale is instructive and cautionary, filled with lessons about innovation, character, leadership, and values.

Amazon Best Books of the Month, November 2011: It is difficult to read the opening pages of Walter Isaacson’s Steve Jobs without feeling melancholic. Jobs retired at the end of August and died about six weeks later. Now, just weeks after his death, you can open the book that bears his name and read about his youth, his promise, and his relentless press to succeed. But the initial sadness in starting the book is soon replaced by something else, which is the intensity of the read--mirroring the intensity of Jobs’s focus and vision for his products. Few in history have transformed their time like Steve Jobs, and one could argue that he stands with the Fords, Edisons, and Gutenbergs of the world. This is a timely and complete portrait that pulls no punches and gives insight into a man whose contradictions were in many ways his greatest strength. --Chris Schluep

Amazon Exclusive: A Q&A with Walter Isaacson

Q: It's becoming well known that Jobs was able to create his Reality Distortion Field when it served him. Was it difficult for you to cut through the RDF and get beneath the narrative that he created? How did you do it?

Isaacson: Andy Hertzfeld, who worked with Steve on the original Macintosh team, said that even if you were aware of his Reality Distortion Field, you still got caught up in it. But that is why Steve was so successful: He willfully bent reality so that you became convinced you could do the impossible, so you did. I never felt he was intentionally misleading me, but I did try to check every story. I did more than a hundred interviews. And he urged me not just to hear his version, but to interview as many people as possible. It was one of his many odd contradictions: He could distort reality, yet he was also brutally honest most of the time. He impressed upon me the value of honesty, rather than trying to whitewash things.

Q: How were the interviews with Jobs conducted? Did you ask lots of questions, or did he just talk?

Isaacson: I asked very few questions. We would take long walks or drives, or sit in his garden, and I would raise a topic and let him expound on it. Even during the more formal sessions in his living room, I would just sit quietly and listen. He loved to tell stories, and he would get very emotional, especially when talking about people in his life whom he admired or disdained.

Q: He was a powerful man who could hold a grudge. Was it easy to get others to talk about Jobs willingly? Were they afraid to talk?

Isaacson: Everyone was eager to talk about Steve. They all had stories to tell, and they loved to tell them. Even those who told me about his rough manner put it in the context of how inspiring he could be.

Q: Jobs embraced the counterculture and Buddhism. Yet he was a billionaire businessman with his own jet. In what way did Jobs' contradictions contribute to his success?

Isaacson: Steve was filled with contradictions. He was a counterculture rebel who became a billionaire. He eschewed material objects yet made objects of desire. He talked, at times, about how he wrestled with these contradictions. His counterculture background combined with his love of electronics and business was key to the products he created. They combined artistry and technology.

Q: Jobs could be notoriously difficult. Did you wind up liking him in the end?

Isaacson: Yes, I liked him and was inspired by him. But I knew he could be unkind and rough. These things can go together. When my book first came out, some people skimmed it quickly and cherry-picked the examples of his being rude to people. But that was only half the story. Fortunately, as people read the whole book, they saw the theme of the narrative: He could be petulant and rough, but this was driven by his passion and pursuit of perfection. He liked people to stand up to him, and he said that brutal honesty was required to be part of his team. And the teams he built became extremely loyal and inspired.

Q: Do you believe he was a genius?

Isaacson: He was a genius at connecting art to technology, of making leaps based on intuition and imagination. He knew how to make emotional connections with those around him and with his customers.

Q: Did he have regrets?

Isaacson: He had some regrets, which he expressed in his interviews. For example, he said that he did not handle well the pregnancy of his first girlfriend. But he was deeply satisfied by the creativity he ingrained at Apple and the loyalty of both his close colleagues and his family.

Q: What do you think is his legacy?

Isaacson: His legacy is transforming seven industries: personal computers, animated movies, music, phones, tablet computing, digital publishing, and retail stores. His legacy is creating what became the most valuable company on earth, one that stood at the intersection of the humanities and technology, and is the company most likely still to be doing that a generation from now. His legacy, as he said in his "Think Different" ad, was reminding us that the people who are crazy enough to think they can change the world are the ones who do.

Photo credit: Patrice Gilbert Photography

Charlotte Bronte (1816-1855) was an English novelist and poet who didn’t live long enough to give the world all she could have, but she is best known as being one of the three critically acclaimed Bronte sisters, along with Anne and Emily, and all three of them wrote novels that are now considered classics of English and Western literature.

Of all the sisters’ works, it is Emily’s Wuthering Heights that has aged the best over time, continuing to retain its place as a classic of English literature. Anne’s Agnes Grey was written as a Volume III to be packaged with Wuthering Heights and was finished within a year of Emily’s novel. But it was Charlotte who survived the other two’s illnesses in 1848-1849, giving her nearly another decade to produce more than one novel, including The Professor and Emma.

However, Charlotte’s most famous novel is Jane Eyre: An Autobiography, a coming of age story written as an autobiography by the title character. The novel mixes all of the best elements of Anne and Emily’s works by telling the story of a child’s maturation, emotions and experiences growing up, a sharp critique of society, and the Gothic romance that has made Wuthering Heights endure. The novel is often considered one of the first truly feminist portrayals, with Jane developing into a passionate, intelligent young woman who is moral and self-reliant.

This edition of Jane Eyre is specially formatted with a Table of Contents, an original introduction and dozens of images.

Charlotte Bronte (1816-1855) was an English novelist and poet who didn’t live long enough to give the world all she could have, but she is best known as being one of the three critically acclaimed Bronte sisters, along with Anne and Emily, and all three of them wrote novels that are now considered classics of English and Western literature.

Of all the sisters’ works, it is Emily’s Wuthering Heights that has aged the best over time, continuing to retain its place as a classic of English literature. Anne’s Agnes Grey was written as a Volume III to be packaged with Wuthering Heights and was finished within a year of Emily’s novel. But it was Charlotte who survived the other two’s illnesses in 1848-1849, giving her nearly another decade to produce more than one novel, including The Professor and Emma.

However, Charlotte’s most famous novel is Jane Eyre: An Autobiography, a coming of age story written as an autobiography by the title character. The novel mixes all of the best elements of Anne and Emily’s works by telling the story of a child’s maturation, emotions and experiences growing up, a sharp critique of society, and the Gothic romance that has made Wuthering Heights endure. The novel is often considered one of the first truly feminist portrayals, with Jane developing into a passionate, intelligent young woman who is moral and self-reliant.

This edition of Jane Eyre is specially formatted with a Table of Contents, an original introduction and dozens of images.

He is the deadliest American sniper ever, called “the devil” by the enemies he hunted and “the legend” by his Navy SEAL brothers . . .

From 1999 to 2009, U.S. Navy SEAL Chris Kyle recorded the most career sniper kills in United States military history. The Pentagon has officially confirmed more than 150 of Kyles kills (the previous American record was 109), but it has declined to verify the astonishing total number for this book. Iraqi insurgents feared Kyle so much they named him al-Shaitan (“the devil”) and placed a bounty on his head. Kyle earned legendary status among his fellow SEALs, Marines, and U.S. Army soldiers, whom he protected with deadly accuracy from rooftops and stealth positions. Gripping and unforgettable, Kyle’s masterful account of his extraordinary battlefield experiences ranks as one of the great war memoirs of all time.

A native Texan who learned to shoot on childhood hunting trips with his father, Kyle was a champion saddle-bronc rider prior to joining the Navy. After 9/11, he was thrust onto the front lines of the War on Terror, and soon found his calling as a world-class sniper who performed best under fire. He recorded a personal-record 2,100-yard kill shot outside Baghdad; in Fallujah, Kyle braved heavy fire to rescue a group of Marines trapped on a street; in Ramadi, he stared down insurgents with his pistol in close combat. Kyle talks honestly about the pain of war—of twice being shot and experiencing the tragic deaths of two close friends.

American Sniper also honors Kyles fellow warriors, who raised hell on and off the battlefield. And in moving first-person accounts throughout, Kyles wife, Taya, speaks openly about the strains of war on their marriage and children, as well as on Chris.

Adrenaline-charged and deeply personal, American Sniper is a thrilling eyewitness account of war that only one man could tell.

Elinore Stewart was a homesteader in southwestern Wyoming. These letters tell her story. The preface beautifully summarized the book as follows: "The writer of the following letters is a young woman who lost her husband in a railroad accident and went to Denver to seek support for herself and her two-year-old daughter, Jerrine. Turning her hand to the nearest work, she went out by the day as house-cleaner and laundress. Later, seeking to better herself, she accepted employment as a housekeeper for a well-to-do Scotch cattle-man, Mr. Stewart, who had taken up a quarter-section in Wyoming. The letters, written through several years to a former employer in Denver, tell the story of her new life in the new country. They are genuine letters, and are printed as written, except for occasional omissions and the alteration of some of the names."

ANNOTATED:

* Contains literary critiques, detailed biographies, and detailed historical context


OVERVIEW:

Northanger Abbey was the first of Jane Austen's novels to be completed for publication. The novel was written about the years 1798–1799. It was revised by Austen for the press in 1803, and sold in the same year to a London bookseller, Crosby & Co., who decided against publishing. The novel was further revised before being brought out posthumously in late December 1817 (1818 given on the title-page).

Northanger Abbey follows seventeen-year-old Gothic novel aficionado Catherine Morland and family friends Mr. and Mrs. Allen as they visit Bath, England. Catherine is in Bath for the first time. There she meets her friends such as Isabella Thorpe, and goes to balls. Catherine finds herself pursued by Isabella's brother, the rather rough-mannered, slovenly John Thorpe, and by her real love interest, Henry Tilney. She also becomes friends with Eleanor Tilney, Henry's younger sister. Henry captivates her with his view on novels and his knowledge of history and the world. General Tilney (Henry and Eleanor's father) invites Catherine to visit their estate, Northanger Abbey, which, from her reading of Ann Radcliffe's gothic novel The Mysteries of Udolpho, she expects to be dark, ancient and full of Gothic horrors and fantastical mystery.

Northanger Abbey is fundamentally a parody of Gothic fiction. Austen turns the conventions of eighteenth-century novels on their head, by making her heroine a plain and undistinguished girl from a middle-class family, allowing the heroine to fall in love with the hero before he has a serious thought of her, and exposing the heroine's romantic fears and curiosities as groundless. Austen biographer Claire Tomalin speculates that Austen may have begun this book, which is more explicitly comic than her other works and contains many literary allusions that her parents and siblings would have enjoyed, as a family entertainment—a piece of lighthearted parody to be read aloud by the fireside.

This Special Critical Edition of NORTHANGER ABBEY (Cambridge World Classics) is the only volume which contains the complete unabridged novel along with A MEMOIR OF JANE AUSTEN a comprehensive biography of Jane Austen by Jane Austen's nephew James Edward Austen-Leigh. A Memoir of Jane Austen was the first major biography of the novelist Jane Austen (1775–1817) published in 1869 by her nephew James Edward Austen-Leigh. A family project, the biography was written by James Edward Austen-Leigh but owed much to the recollections of Jane Austen's many relatives.


SPECIAL KINDLE ENABLED FEATURES:

This edition contains special Kindle enabled features, including interactive table of contents, text-to-speech capabilities which enable audiobook features, as well as words that can be looked up on the Kindle supplied built in dictionary.

The volume also employs PerfectLink (TM) technology which allows Amazon Kindle readers to enjoy not only a fully interactive table of contents, but also the ability to click through to each section in the novel.

Though Northanger Abbey is one of Jane Austen's earliest novels, it was not published until after her death--well after she'd established her reputation with works such as Pride and Prejudice, Emma, and Sense and Sensibility. Of all her novels, this one is the most explicitly literary in that it is primarily concerned with books and with readers. In it, Austen skewers the novelistic excesses of her day made popular in such 18th-century Gothic potboilers as Ann Radcliffe's The Mysteries of Udolpho. Decrepit castles, locked rooms, mysterious chests, cryptic notes, and tyrannical fathers all figure into Northanger Abbey, but with a decidedly satirical twist. Consider Austen's introduction of her heroine: we are told on the very first page that "no one who had ever seen Catherine Morland in her infancy, would have supposed her born to be an heroine." The author goes on to explain that Miss Morland's father is a clergyman with "a considerable independence, besides two good livings--and he was not in the least addicted to locking up his daughters." Furthermore, her mother does not die giving birth to her, and Catherine herself, far from engaging in "the more heroic enjoyments of infancy, nursing a dormouse, feeding a canary-bird, or watering a rose-bush" vastly prefers playing cricket with her brothers to any girlish pastimes.

Catherine grows up to be a passably pretty girl and is invited to spend a few weeks in Bath with a family friend. While there she meets Henry Tilney and his sister Eleanor, who invite her to visit their family estate, Northanger Abbey. Once there, Austen amuses herself and us as Catherine, a great reader of Gothic romances, allows her imagination to run wild, finding dreadful portents in the most wonderfully prosaic events. But Austen is after something more than mere parody; she uses her rapier wit to mock not only the essential silliness of "horrid" novels, but to expose the even more horrid workings of polite society, for nothing Catherine imagines could possibly rival the hypocrisy she experiences at the hands of her supposed friends. In many respects Northanger Abbey is the most lighthearted of Jane Austen's novels, yet at its core is a serious, unsentimental commentary on love and marriage, 19th-century British style. --Alix Wilber

ANNOTATED:

* Contains literary critiques, detailed biographies, and detailed historical context


OVERVIEW:

Northanger Abbey was the first of Jane Austen's novels to be completed for publication. The novel was written about the years 1798–1799. It was revised by Austen for the press in 1803, and sold in the same year to a London bookseller, Crosby & Co., who decided against publishing. The novel was further revised before being brought out posthumously in late December 1817 (1818 given on the title-page).

Northanger Abbey follows seventeen-year-old Gothic novel aficionado Catherine Morland and family friends Mr. and Mrs. Allen as they visit Bath, England. Catherine is in Bath for the first time. There she meets her friends such as Isabella Thorpe, and goes to balls. Catherine finds herself pursued by Isabella's brother, the rather rough-mannered, slovenly John Thorpe, and by her real love interest, Henry Tilney. She also becomes friends with Eleanor Tilney, Henry's younger sister. Henry captivates her with his view on novels and his knowledge of history and the world. General Tilney (Henry and Eleanor's father) invites Catherine to visit their estate, Northanger Abbey, which, from her reading of Ann Radcliffe's gothic novel The Mysteries of Udolpho, she expects to be dark, ancient and full of Gothic horrors and fantastical mystery.

Northanger Abbey is fundamentally a parody of Gothic fiction. Austen turns the conventions of eighteenth-century novels on their head, by making her heroine a plain and undistinguished girl from a middle-class family, allowing the heroine to fall in love with the hero before he has a serious thought of her, and exposing the heroine's romantic fears and curiosities as groundless. Austen biographer Claire Tomalin speculates that Austen may have begun this book, which is more explicitly comic than her other works and contains many literary allusions that her parents and siblings would have enjoyed, as a family entertainment—a piece of lighthearted parody to be read aloud by the fireside.

This Special Critical Edition of NORTHANGER ABBEY (Cambridge World Classics) is the only volume which contains the complete unabridged novel along with A MEMOIR OF JANE AUSTEN a comprehensive biography of Jane Austen by Jane Austen's nephew James Edward Austen-Leigh. A Memoir of Jane Austen was the first major biography of the novelist Jane Austen (1775–1817) published in 1869 by her nephew James Edward Austen-Leigh. A family project, the biography was written by James Edward Austen-Leigh but owed much to the recollections of Jane Austen's many relatives.


SPECIAL KINDLE ENABLED FEATURES:

This edition contains special Kindle enabled features, including interactive table of contents, text-to-speech capabilities which enable audiobook features, as well as words that can be looked up on the Kindle supplied built in dictionary.

The volume also employs PerfectLink (TM) technology which allows Amazon Kindle readers to enjoy not only a fully interactive table of contents, but also the ability to click through to each section in the novel.

• ISBN13: 9781402211683
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Hear It Read It With Audio CD

Black Beauty teaches everyone he meets the true meaning of courage and loyalty. From escaping a burning barn to saving the life of his owner, every day is full of adventure. But he longs for a family to love him for the gentle horse he is. Will he ever find the perfect home?

Hear Black Beauty read by Jonathan Keeble, who appeared in Sky Captain and the World of Tomorrow.


With the included CD you can HEAR the entire book, word for word, READ ALONG with the CD, or READ the story on your own.

Each HEAR IT READ IT classic presents the world's greatest stories in an easy-to-read abridged format. The included CD contains a dramatic reading-with music and sound effects-that match the text, word for word, so children of all ages and reading levels can read along.

HEAR IT READ IT classics give young readers the best possible introduction to the world's timeless tales.

"A horse is a horse of course unless of course the horse is Black Beauty. Animal-loving children have been devoted to Black Beauty throughout this century, and no doubt will continue through the next. Although Anna Sewell's classic paints a clear picture of turn-of-the-century London, its message is universal and timeless: animals will serve humans well if they are treated with consideration and kindness.

Black Beauty tells the story of the horse's own long and varied life, from a well-born colt in a pleasant meadow to an elegant carriage horse for a gentleman to a painfully overworked cab horse. Throughout, Sewell rails--in a gentle, 19th-century way--against animal maltreatment. Young readers will follow Black Beauty's fortunes, good and bad, with gentle masters as well as cruel. Children can easily make the leap from horse-human relationships to human-human relationships, and begin to understand how their own consideration of others may be a benefit to all. (Ages 9 to 12)"

This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

Nineteenth-century African American businessman, activist, and educator Booker Taliaferro Washington's Up from Slavery is one of the greatest American autobiographies ever written. Its mantras of black economic empowerment, land ownership, and self-help inspired generations of black leaders, including Marcus Garvey, Elijah Muhammad, Malcolm X, and Louis Farrakhan. In rags-to-riches fashion, Washington recounts his ascendance from early life as a mulatto slave in Virginia to a 34-year term as president of the influential, agriculturally based Tuskegee Institute in Alabama. From that position, Washington reigned as the most important leader of his people, with slogans like "cast down your buckets," which emphasized vocational merit rather than the academic and political excellence championed by his contemporary rival W.E.B. Du Bois. Though many considered him too accommodating to segregationists, Washington, as he said in his historic "Atlanta Compromise" speech of 1895, believed that "political agitation alone would not save [the Negro]," and that "property, industry, skill, intelligence, and character" would prove necessary to black Americans' success. The potency of his philosophies are alive today in the nationalist and conservative camps that compose the complex quilt of black American society.

This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

A teen idol at fifteen, an international icon and founder of the Brat Pack at twenty, and one of Hollywood's top stars to this day, Rob Lowe chronicles his experiences as a painfully misunderstood child actor in Ohio uprooted to the wild counterculture of mid-seventies Malibu, where he embarked on his unrelenting pursuit of a career in Hollywood.

The Outsiders placed Lowe at the birth of the modern youth movement in the entertainment industry. During his time on The West Wing, he witnessed the surreal nexus of show business and politics both on the set and in the actual White House. And in between are deft and humorous stories of the wild excesses that marked the eighties, leading to his quest for family and sobriety.

Never mean-spirited or salacious, Lowe delivers unexpected glimpses into his successes, disappointments, relationships, and one-of-a-kind encounters with people who shaped our world over the last twenty-five years. These stories are as entertaining as they are unforgettable.